There is a long-standing history of protest in popular music. In my view a lot of it does not really stand the test of time though there are many honorable exceptions – Free Nelson Mandela by the Specials stands out as one. But many of such songs age, lose their anger and are less effective at directing emotion than other more direct or personal musical forms.
What I am here more interested in, as result of something I witnessed at the weekend, is the capacity of music and other performers to subvert live broadcasts. I remember Saturday morning TV phone-ins and that high risk that there might be a set up for a profanity fest as happened to Five Star. Or the Sex Pistols on Bill Grundy (though John Lydon said at the time that the real punk was the householder who was so horrified by the Pistols that he put his boot through the TV). You may also recall Jarvis Cocker’s stage assault on Michael Jackson at the Brits? A bit more impressive than hacking Corbyn’s tweets.
What happened on Sunday morning was that Andrew Marr has the PM on to discuss the European referendum and a much over-hyped social housing estate regeneration programme, which seemed from the dialogue to be yet more ideas to grow home ownership. Regular watchers will know that Marr often ends his show with live music. This week it was a new song by the venerable post-punk band Squeeze. There should have been a clue in the title of the song ‘From the cradle to the grave’ since this is a well-worn phrase in terms of the UK Welfare State. However, those naughty Squeeze boys changed their lyrics.
A new third verse added lines to the effect: ‘I grew up in a council house, part of what made Britain great, now someone is hell-bent seeking to destroy the welfare state’. You can see the action here.
First of all it was impressive because they cannot have had much warning and indeed chose such an apposite subject given the topic covered in the interview. Second, the Prime Minister seemed oblivious which made it all the more striking – I actually wondered if I had misheard till it was confirmed later.
Of course, we can be cynical about it and view it as a publicity stunt but I really don’t think so. It was rather well-targeted opportunistic subversion of the live music medium.
On this very sad day where we lost David Bowie, I was reminded by a piece in the press that one of his many impressive acts was to twice refuse an honour from the British state – an act of subversion in itself?